In the late 1980s and early 1990s, McFarlane became a comic book superstar due to his work on Marvel Comics' Spider-Man franchise.
Todd mcfarlane comic vbook greats series#
In 1992, he helped form Image Comics, pulling the occult anti-hero character Spawn from hi Todd McFarlane is a Canadian comic book artist, writer, toy manufacturer/designer, and media entrepreneur who is best known as the creator of the epic occult fantasy series Spawn. Todd McFarlane is a Canadian comic book artist, writer, toy manufacturer/designer, and media entrepreneur who is best known as the creator of the epic occult fantasy series Spawn. Definitely worth picking up if you want to keep up with the series.more I got to see a meaningful progression of the main story, character development, and well drawn action scenes. And it's a shame, too, since these issues in particular were pretty well written (by Spawn standards) and definitely could have benefited from less unnecessary text.Īside from that one recurring flaw, Spawn Book Five: Death and Rebirth was just what I was hoping for from this comic series. Leave some of it up for interpretation! I hate when these comics feel the need to spell out what is going on and how we should feel about it that's the telltale sign of poor storytelling. We can get a lot more from a scene like this with well drawn emotional images or brief but impactful statements from the character. On the contrary, we want to get involved and also feel what she is feeling in that moment that cannot be accomplished with blocks of text. For example, when Wanda is sulking over the thought of her husband possibly being a murderer, we as readers don't want to read three paragraphs about how she feels. There are so many moments in Spawn that could have been iconic, breathtaking moments were it not for the unwarranted narration boxes intruding on an otherwise powerful scene. The strongest panels in iconic comic books are those that don't have any text in them – or if they do contain text, then it's kept to a minimum for dramatic effect.
Simply put, when it comes to the medium of comic books, less is more. However, one of Book Four's problems comes back from the grave to haunt this collection, and it's that certain passages get way too wordy. I found Book Five: Death and Rebirth to be much better than its predecessor. But at this point, praise for the artwork goes without saying, so I won't say anything more on it. The illustrations are on par with each of the previous collections. Once again, I have to praise the artwork. Though I would have preferred seeing Spawn beat his way to a happy ending, I did respect his choice to more peaceably handle his dilemma, for it demonstrated his character development up to this point in the comic series as someone who still has some humanity left within his heart and a brain in his head, and not merely someone with an insatiable lust for blood. In doing so, Spawn also manages to tie up a litany of loose ends by blackmailing his adversaries into submission.
As you would expect, Spawn comes to the rescue and fends off these threats to protect his friend and save the day. After inadvertently putting his old friend Terry Fitzgerald in the forefront of a crazy scandal, the whole debacle comes to a boil when the CIA, FBI, NYPD, Mafia, and tabloid reporters meet up for a frenzied clash to see who can nab this one highly sought after man first. In issues 21-24, focus returns to the main story of Spawn as opposed to throwing new one-off villains at our hero or putting him in gimmicky scenarios for the sake of artificial variety. I guess from the bottom, there is nowhere else to go but up, and thankfully the focus here returns to the main narrative, making Book Five an overall enjoyable read.īook Five collects issues 21-25, but it would have been just as well off omitting issue 25 as it acts loosely as an epilogue – an unnecessary one at that. After having read the shit fest that was Book Four, I was reluctant to see where the series was going to go next. Spawn Book Five: Death and Rebirth is a return to form for Spawn. Book Five collects issues 21-25, but it would have been just as well off omitting issue 25 as it acts loosely as an epilogue – an unnecessary one at that. I guess from the bottom, there is nowhere else to go but up, and thankfully the focus here returns to the main narrative, making Book Five an overall enjoyable read.
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